Licensed From - Universal Music Special Markets, Inc.
Licensed From - ZTT Records Ltd.
Phonographic Copyright (p) - XL Recordings Ltd.
Copyright (c) - XL Recordings Ltd.
Lacquer Cut At - The Exchange
Pressed By - Damont
Над релизом работали
Art Direction - Alex Jenkins
Art Direction - Liam Howlett
Design - Alex Jenkins
Illustration [Band] - Jake (31)
Lacquer Cut By - Mike Marsh
Management [For Midi Management] - Mike Champion
Photography By [Ant] - Terry Whittaker
Photography By [Band And Train] - Pat Pope
Photography By [Front Cover - Silvestris/Courtesy Of FLPA-Images Of Nature] - Konrad Wothe
Photography By [Inner Bag Band Shot] - Lou Smith
Photography By [Live Shots] - Alex Scaglia
Photography By [Live Shots] - Christian Ammann
Photography By [Live Shots] - Pat Pope
Photography By [Truck And Background] - Alex Jenkins
Producer, Mixed By - Liam Howlett
Заметки
Cheap Eastern European press from 2015-2018 recently appeared on Ebay and various distros. Back sleeve is badly scanned and appeared blurry. The faces are brownish tinted, no blue coloured design elements on back sleeve. Probably non-official.
The original release can be found [url=http://www.discogs.com/Prodigy-The-Fat-Of-The-Land/release/26194]here[/url]. All later pressings has whole black spine without band name, title nor cat#. 1 cm of the right edge on the back of the sleeve is also black (no blue letters in a background after P in SMACK MY BITCH UP and no blue star near barcode). It also has little differences in runouts.
A1 published by EMI Virgin Music Ltd/Next Plateau Music Inc/Beats G Music. ℗ 1997 XL Recordings Ltd. A2 published by EMI Virgin Music Ltd/EMI Music Ltd/MCA Music. ℗ 1996 XL Recordings Ltd. B1 published by EMI Virgin Music Ltd/Momentum Music Ltd. ℗ 1997 XL Recordings Ltd. B2 published by EMI Virgin Music Ltd/Polygram Music. ℗ 1997 XL Recordings Ltd. C1 published by EMI Virgin Music Ltd/MCA Music/Chrysalis Music Publishing. ℗ 1997 XL Recordings Ltd. C2 published by EMI Virgin Music Ltd. ℗ 1997 XL Recordings Ltd. C3 published by EMI Virgin Music Ltd/Hit And Run Publishing Ltd. Crispian Mills appears courtesy of of Columbia Records Ltd. ℗ 1997 XL Recordings Ltd. D1 published by EMI Virgin Music Ltd/MCA Music/Perfect Songs/Zomba Music. ℗ 1996 XL Recordings Ltd. D2 published by EMI Virgin Music Ltd. ℗ 1997 XL Recordings Ltd. D3 published in the USA: By Drop Trou Tunes. Administered by Zomba Songs Inc. (BMI)/Shock Music Publishing Australia. Rest of the world: By Zomba Music Publishers Ltd/Shock Music Publishing Australia. ℗ 1997 XL Recordings Ltd. Saffron appears courtesy of Deconstruction/BMG Entertainment International UK and Ireland Ltd.
Produced & mixed at Earthbound. Vocals on A1, A2, C3 and D1 recorded at Strongroom.
A1 contains portions of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Beatdown" used courtesy of Next Plateau Records. B2 excerpts from "Root Down" used under license from Capitol Records. A division of Capitol Records Inc. Sample from "2-3 Break" by The B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from "Theme From S.W.A.T." by Barry Derorzan, used courtesy of MCA Records, Inc. under license from Universal Music Special Markets Inc.. Published by EMI Gold Horizon Music. C1 "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Inc. D1 sample of Breeders "SOS" courtesy of 4AD/Elektra (by arrangement with Warner Special Products). "Close To The Edit" by Art Of Noise under licence from ZTT Records Ltd. D2 contains portion of "Horn Track" by Egyptian Empire/Tim Taylor courtesy of London Records and published by Northcott Music administered by International Music Network.